Lee Breeze 18/11/25 Lee Breeze 18/11/25

Final Fantasy: The Spirits Within (2001): Almost a Cult Classic

Some films crash, some soar, and some glide beautifully until they forget to deploy the landing gear. Final Fantasy: The Spirits Within is that third kind — visually breathtaking, emotionally adrift, and endlessly fascinated with its own mythology. It wants to be spiritual sci-fi poetry.

The movie delivers ghosts that steal souls, dreams that think they’re metaphors, and a world that somehow looks spotless after thirty years of disaster. It’s gorgeous, sincere, and occasionally baffling — the kind of movie that almost becomes profound before getting distracted by its own ambition.

Lee Breeze 20/10/25 Lee Breeze 20/10/25

Timecop (1994): Almost a Cult Classic

What do you get when you hand Jean-Claude Van Damme a time machine? Ninety minutes of flying kicks, bad science, and a plot that folds in on itself faster than spacetime after a paradox. Timecop (1994) had everything it needed to become a cult classic, but somewhere between the sparks and the synth, it lost the plot.

The movie teases a smart idea about policing time travel, then dodges its own consequences. The result? A film that can kick down a door but can’t open one into deeper storytelling. Still, there’s charm in the chaos. Between the goofy science, solid effects, and Van Damme’s half-heroic, half-melancholic glare, Timecop remains one of those rare near misses, a movie that almost makes you believe it could have been legendary.

Lee Breeze 30/8/25 Lee Breeze 30/8/25

Johnny Mnemonic (1995): Almost a Cult Classic

What do you get when you mix an expensive courier with Keanu Reeves in the 90s? Ninety minutes of cyberpunk ambition slowly losing a fistfight with its own budget. Johnny Mnemonic was meant to be William Gibson’s big screen moment, but it looks more like a dress rehearsal for The Matrix where someone forgot to pay the lighting bill.

Instead of sleek noir paranoia, we get polygon VR, a cyber-preacher assassin, and a dolphin that feels more like a punchline than tragedy. It’s not a cult classic because it nailed cyberpunk; it’s Almost a Cult Classic because you can see the good movie straining to get out from under the rubble.