With skilful storytelling, the authors of the Burn the Sky duology have crafted a captivating narrative that pulls readers into a vibrant world full of excitement and adventure, creating a compelling reading experience.
What do you get when you mix Stephen King’s name, Pierce Brosnan before Bond, and early-90s CGI? A techno-parable that wanted to be visionary but ended up looking like a rejected Doctor Who episode. The Lawnmower Man should have been the VR movie of its era; instead, it’s remembered for a monkey in a headset, a priest with a belt, and Jeff Fahey mowing down enemies in a fog machine haze.
The story leans on stereotypes, the pacing crawls, and the CGI buries Jobe’s transformation under neon polygons. And yet, with tighter focus and scarier visuals, this relic might have been a defining sci-fi of the 90s. Instead, it’s Almost a Cult Classic: one rewrite away from legendary.
What do you get when you mix an expensive courier with Keanu Reeves in the 90s? Ninety minutes of cyberpunk ambition slowly losing a fistfight with its own budget. Johnny Mnemonic was meant to be William Gibson’s big screen moment, but it looks more like a dress rehearsal for The Matrix where someone forgot to pay the lighting bill.
Instead of sleek noir paranoia, we get polygon VR, a cyber-preacher assassin, and a dolphin that feels more like a punchline than tragedy. It’s not a cult classic because it nailed cyberpunk; it’s Almost a Cult Classic because you can see the good movie straining to get out from under the rubble.
FB group, FB page, BlueSky
What do you get when you hand Jean-Claude Van Damme a time machine? Ninety minutes of flying kicks, bad science, and a plot that folds in on itself faster than spacetime after a paradox. Timecop (1994) had everything it needed to become a cult classic, but somewhere between the sparks and the synth, it lost the plot.
The movie teases a smart idea about policing time travel, then dodges its own consequences. The result? A film that can kick down a door but can’t open one into deeper storytelling. Still, there’s charm in the chaos. Between the goofy science, solid effects, and Van Damme’s half-heroic, half-melancholic glare, Timecop remains one of those rare near misses, a movie that almost makes you believe it could have been legendary.